In/Visible

Mauricio Dias and Walter Riedweg first showed this artwork, Funk Staden, at the politically charged Documenta mega-show in Kassel, Germany in 2007. It hung in a European palace in the hometown of the German who first depicted Brazilian cannibals in the 16th century—and now it has come, in expanded form, to Seattle.

Mauricio Dias and Walter Riedweg first showed this artwork, Funk Staden, at the politically charged Documenta mega-show in Kassel, Germany in 2007. It hung in a European palace in the hometown of the German who first depicted Brazilian cannibals in the 16th century—and now it has come, in expanded form, to Seattle.

Fuck Grid #34 (2007), pencil on paper, 17 by 14 inches

Fuck Grid #34 (2007), pencil on paper, 17 by 14 inches

Gus's Pawn Shop from the series NIAGARA by Alec Soth

Alec Soth is a particular sort of wandering American storyteller, a lyrical documentarian. When people talk about his photographs, they bring up names like Robert Frank, like Flannery O'Connor, like Mark Twain, even.

Gus's Pawn Shop from the series NIAGARA by Alec Soth

Alec Soth is a particular sort of wandering American storyteller, a lyrical documentarian. When people talk about his photographs, they bring up names like Robert Frank, like Flannery O'Connor, like Mark Twain, even.

Mary Temple spent weeks at Western Bridge making a huge painting that opened to the public last weekend. (The image above is from an earlier, similar installation on the East Coast.)

Mary Temple spent weeks at Western Bridge making a huge painting that opened to the public last weekend. (The image above is from an earlier, similar installation on the East Coast.)